Beneath A Summer Moon
by Camila Dodik
The two little girls walked hand in hand down the street beneath the
indigo sky of a summer evening. Silver mosquitoes buzzed and danced
around their slim, entwined arms but, strangely, did not bite. They
passed, footsteps echoing and shadows long, toward the bridge that
passed over the railroad tracks, where a young man in a leather jacket
stood leaning against the shining new chain-link fence that covered the
bridge, a suicide-proof tunnel.
There was no one else; though there were houses around, there was no
face at the window to ask what such small girls were doing out in the
growing dark or to worry why they approached the man alone on the
bridge so steadily.
They stopped a few feet from the man, who did not notice them until
the taller girl said, "A man died here." The man startled, and then
stared. The smaller girl had dark eyes like wells going deep into the
earth; the taller girl's eyes were pale like the moon. The smaller girl
pointed down at the railroad tracks.
It was unnecessary to point them out to the man. He had been
absorbed in gazing at how they stretched out, with calm mathematical
perfection, from one vanishing point on the horizon to the other.
"It's true," said the man, who generally liked talking with
children, and appreciated their straightforwardness. "In fact, I knew
him. He was a friend of mine. That's why I'm standing here, actually."
"Tell us about him," said the pale-eyed girl, cocking her head.
"It's not really a story for little kids," He said, looking back at
the tracks. Even children knew about it, then. He placed his forehead
against the fence and sighed.
"We know how he died," broke in the pale-eyed girl impatiently.
"Broken on the tracks, blood spattering the metal of the train. That's
not what we want to know. We want to know who he was. How he lived.
Only you know."
"I did know." The man was surprised at her urgent tone. Well, why
not? "It's an ugly story, really, but at the same time, it's almost
funny. He was an artist and an alcoholic, but mostly the latter. He
started off as a painter but drank up all his money for supplies, so he
started writing novels. And then when he'd found that the alcohol
ruined his ability to keep the details of long pieces straight, he
wrote poetry instead. They were shorter, and at any rate, that meant he
could save money on paper.
"Eventually he gave up poetry, too. Now, he lived with his mom and
dad, and he was only twenty-four. They'd had enough of him, though.
About that point, his father said something like, 'I've pulled a lot of
strings to get you an interview for an honest job, and if you don't go,
I swear to God I'll throw you out on the street.' It was harsh, but my
friend's dad wasn't a bad man, you understand. He was doing what he
thought he needed to do.
"So that morning, my friend put on a tie as his father scowled, and
his mother lovingly tightened it. But he never made it to the city, as
you well know."
* * *
He got on the train, which was packed full of people going to work
in the city. In front of him sat a man in a black suit with a leather
briefcase between his legs. This man, whose large belly bulged out in
his white button-down shirt like the pale stomach of a frog, pursed his
liver-colored lips and stared through his fashionable chunky
black-rimmed glasses at the Wall Street Journal. The young man
stared at him. The older man had a peremptory air about him, quickly
scanning through each article and looking as if each had just barely
managed to live up to his expectations. The young man looked away,
biting the inside of his cheek.
Next to that frog sat an ugly young woman. Oh, her face resembled
the beautiful actresses on the cover of the supermarket gossip magazine
she was reading, but the young man found the expression on it
repulsive. There was glee playing around her lips as she perused
articles about, judging from the cover, celebrities' stays in rehab,
their divorces, their DUIs. A luxury purse dangled from her elbow.
The young man looked down at his hands and felt that he needed a
drink. He closed his eyes. But this only opened his ears to a
conversation taking place in the adjacent seats.
"…Christopher was just accepted into his first choice college and
we're so proud. We really made the right choice with that SAT class,
even if it was a little bit on the pricier side. It gave him just the
advantage he needed."
"And little Anna?"
"Well, she still wants to be a musician, but I'm trying to nudge her
here and there, saying things like, 'well, that's a nice hobby, but…'
You know? I'm trying to steer her in the direction of something a
little more practical."
"Of course. You know, a lot of more artistic kids do well in marketing."
"It's just a matter of convincing her that she can't just 'follow
her dreams' like they tell these kids, she needs something solid to
live on, you know--"
The two women began to chuckle together, when the young man's eyes fluttered open and he interrupted them:
"Is she talented?"
The two women turned to stare at him with empty-eyed expressions.
"Excuse me?" one asked. Her voice identified her as the mother of
"little Anna."
"Is your daughter a good musician? Does she have talent?" He asked impatiently.
"Well, yes, I, I guess so."
"She has talent. As so many others do not. And you want," he felt
his face growing hot, "her to give up her dream in order to live."
"Little Anna's" mother didn't answer; both women stared at him uneasily.
The young man felt his eyes flooding with tears; he couldn't control them and he didn't care.
"For some of us, we need those things you care so little for, those
dreams, to survive." His voice was rising, growing cracked and
hysterical.
The two women now fixed their gazes mutely down at the floor between
their feet, and a number of passengers had turned around in their seats
to stare at him.
* * *
"What kind of job was it?" the pale-eyed girl interrupted.
The young man squinted and cocked his head, at a loss for how to
describe it to her. "One where they sit at desks and move around
numbers, you know?"
"Oh," said the little girl, mystified.
After a moment she spoke up again. "But why did he drink so much?"
The young man laughed. "Because the brush he held never obeyed his
trembling fingers. Because the words he summoned for his prose fell
dead and meaningless on the page. His unvarying failure was why he
sought consolation at the bottom of a bottle."
* * *
At the next stop, the young man left the train, the women following
with their eyes in relief. He watched the train vanish back into the
black tunnel like an enormous silver earthworm burrowing into the
ground. For a moment he could still see a pinprick of red light winking
at him in the dark.
As he emerged from underground, a beam of fresh, raw sunlight struck
him directly in the eyes. Closing them, a convoluted and friendly shape
of mauve and green threads, like an alien, appeared inside his eyelids.
The sky was white like milk and a strong wind blew over the empty
gray streets. It made him think of clenched teeth. The wind, as it
rubbed his ears raw, hissed and howled. Only one old woman was out in
the tempest, feebly pushing a shopping cart. Its wheels squeaked. She
pushed it hard against the wind and didn't seem to be moving at all.
* * *
The sky on the western horizon turned a deeper pink.
"Perhaps it would have been easier on everyone if he had accepted
his lack of talent and moved on. His father urged him to learn to love
money. Find a woman, have children, and love them, his mother pleaded.
You've got to love yourself first, his therapist said. Love God,
thundered the priest from the pulpit.
"But what could those kinds of love possibly mean to a man who only
loved something locked in his mind; a man who stared longingly at
blades of grass as though the meaning of the universe was written on
them; who trembled and cried in the presence of masterpieces because he
could feel the thoughts of their creators rushing into him from across
centuries?"
The young man turned towards the tracks, smiling faintly. Since
childhood, he had loved watching the impressive, smoke-belching freight
trains rushing past.
The little girl with ink-black eyes gazed in the direction of the sharp tracks glinting in the fading light.
The young man concluded, sadly. "It was only in moments of deep feeling, when I sat alone and felt things so strongly that tears ran down my face, that I felt alive."
The pale-eyed girl began to speak, but her voice was no longer the
smooth clear tone of a young girl. Turning to look at her, he was
shocked by the sudden pattern of crows' feet on her face. The dark-eyed
girl's hair, too, had turned white.
"Who are you?" The young man asked in a hushed whisper, stepping back.
The one with pale eyes nodded at him with a gentle smile. "We are
spirits, like you. But we are ever so much older than you, child."
Fireflies rose around them. They looked again like any two sisters
whispering secrets to each other. But it was late, the moon was high,
and their whispers reverberated in the still night air of the empty
park.
The young man had vanished. Instead, a shadowed figure stood
motionlessly at the far end of the bridge. The figure glided toward
them slowly like a brush being dragged across paper. Moonlight sunk
into its blackness without illuminating it at all. In lieu of a shadow,
the figure traced a wide trail of blood across the wooden planks.
The darkness melted away from it as it approached, slowly unveiling
a putrid mass of intestines and jutting smashed bone. The chin and lips
of a face like a broken mask blossomed upwards into crushed skull. Red
drops dribbled from its body in a steady plink, plink. The little girl with dark eyes smiled, and reached out her tiny hands.
The ghost spoke in a voice that might be mistaken for the rustling of leaves and the cries of night birds.
I thought that death would be release but it is an emptiness worse than
life itself. Have you come to take me away at last? To Heaven or to
Hell? No, don't tell me. I don't care.
The tiny hands grasped the cool hands of the dead man.
The pale-eyed girl smiled. "We will take you where you can paint the
stars of the nebulae. Do not fear. You will write the dream that is
carried into a child's bedroom on a cool summer breeze."
Then, all three vanished and the bridge was left empty. Only the
pale-faced and ancient moon remained, high in the void. The moon has
seen all with sightless eyes, but there is no one for her to tell.
THE END
© 2014 Camila Dodik
Bio: Ms. Dodik is from Forest Hills, Queens, hometown of the Ramones. She is
pursuing a PhD in Japanese Literature at the University of Minnesota.
E-mail: Camila Dodik
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