Miller's Woods
by Mike Ramon
When the call came over the radio, Officer Joe Frampton was sitting in his
1964 Chevrolet Bel Air, the vehicle painted regulation black and white,
chowing down on a Big Slammer from the Burger Shanty on Rt. 60. A
half-pound of Choice American beef, with two slices of white cheddar (one
on top of the patty, one on the bottom), two thick tomato slices, leaf
lettuce, pickles, big red onions, ketchup, and spicy mustard. And, of
course, you couldn't have a Big Slammer without an order of steak fries
(with a little bit of skin still on them). A heart attack in a bag, that's
what Sue called it, but if she knew that Joe was stuffing his gob like this
he wouldn't need to worry about his heart seizing up; Sue would knock his
head right off his shoulders. And what if she knew that he was washing it
all down with a large vanilla milkshake? Best not to think about it.
He was barely halfway finished with the burger when the radio came to life,
and Wanda's voice came crackling out of it.
"Closest available unit … ten-fifty … near Highway Forty-four
…"
"Ah, crap; what now?" Joe said around a mouthful of burger.
He grabbed the mike, depressing the button on the side.
"Ten-one, Station; do not copy. This is Unit Four. Come again."
"What's your ten-twenty, Joe?
"I'm sitting in the parking lot of the old ironworks and trying to eat my
damn lunch."
"Perfect … closer than any … else. Get your pale behind out to
Highway Forty-four, near the Westgate exit. There's been a ten-fifty out
that way. Ambulance is … the way."
He didn't catch it all, but he caught enough. There'd been an accident on
Highway 44, an ambulance was already en route, and a police unit had been
requested.
Double crap, Joe thought. Into the mike, he said, "Ten-four, Station. On my way. Unit Four out."
Joe looked longingly at what remained of his burger before folding the
wrapper over it and replacing it in the grease-spotted bag, sliding it down
carefully next to the paper sleeve still half-filled with fries, and then
folded over the top of the bag and placed it on the passenger seat. He took
one last drink of milkshake and set it in the cupholder. The Bel Air's
engine rumbled to life, and Joe pulled out of the lot of the ironworks that
had been closed for three years.
It took him all of twelve minutes to get there, and he pulled his cruiser
to the side of the road, parking behind a Juniper County Sheriff's
Department vehicle. Joe shut the engine off and got out of the Bel Air as a
short fellow in tan Sheriff's Department duds came over to welcome him to
the party. Joe had always been envious of the uniforms the SD boys wore,
hating the seaweed-green uniforms of the CFPD. (This was something he would
never admit to one of the SD boys, of course.)
"It's about time one of you townies showed up," the deputy said.
Joe checked the man's name nametag: Hinton.
"And it's a good thing, too, Deputy Hinton," Joe said amiably. "Someone
competent needs to take over for you county boys before you screw the
pooch."
"Yeah, yeah."
From where they stood Joe could see a couple of paramedics working on
someone at the side of the road. He saw the person's feet, one clad in a
brown shoe, the other covered only by a stocking. A late-model Mercury
Cougar sat at an angle further up the road so that its back end stuck out
into the roadway. The front end of the vehicle looked as if it had run
head-on into a brick wall at full steam. A trail of shattered glass,
pebbles winking back bright flashes of sunlight, trailed from the Cougar to
a telephone pole. The pole itself seemed completely unbothered by the day's
events.
"I think I know that car," Joe said. "Yeah, that's it; it belongs to Jack
Wellesley. He's a big cheese in town."
"I think that, before the sun goes down, someone will be telling Mister Big
Cheese that he's now a widower. And it sure as hell ain't gonna be me."
Joe looked at those feet, the bare one and the other. He hadn't ever spoken
a word to Mrs. Wellesley, as far as he could remember. He'd seen her around
town, though, a pretty lady with a short blond bob. Her husband was a
common attendee at town meetings, and at various soirees either thrown or
attended by important people from town. Seemed a nice enough fella, but he
always came alone.
"You think there's no hope for her?" Joe asked.
The deputy shook his head.
"Nah. The side of her head was … she's a goner for sure."
Joe looked around and saw no other wrecked vehicles.
"So, it was a one-car wreck?" he asked.
"Yep. She must've lost control and hit yonder pole."
The ambulance crew had given up the ghost. One of them came over to inform
the deputy and the officer (looking from one to the other as he spoke,
unsure of which one of them was in the position of authority), letting them
know that the woman was as dead as the proverbial doornail, but that they'd
take her to Juniper County Memorial anyway, since the county morgue was
located in the hospital's basement.
While the medics lifted the dead woman onto a board and loaded her into the
back of the wagon, Joe called into the station to fill them in on the
situation. Wanda told him to hold on while she let Captain Stivic know that
it was Pamela Wellesley who'd been in the crash out on Highway 44. Soon,
the Cap himself was on the horn, asking if what Wanda had told him was
correct. Joe confirmed it.
"Want me to head out to Wellesley's place to give him the word?" Joe asked.
He hated that part of the job, and supposed that he always would. Some cops
developed a professional coldness about it, were able to break the worst of
news to folks and then go home and eat the pot roast the little missus had
fixed for dinner as if nothing had changed (probably because, for them,
nothing had). Joe always found he had little appetite on nights like that,
however. Got little sleep, too. His appetite and sleep were given a break
when the Cap let him off the hook.
"I'll do it myself," Captain Stivic said over the radio. "Damn shame; they
got a little girl, too."
"You sure you want to do this yourself, Cap?"
But there was no response.
***
"I heard it looks like a man, but he's got the head of a goat," Dave said.
Jim, half Dave's age and the youngest of the three siblings, stared at the
older boy with wide eyes, a forkful of wound-up spaghetti held frozen in
front of his open mouth, sauce dripping back down to the spaghetti still on
the plate.
"Nuh-uh," Alice said.
At nine years old, she was the middle child, three years younger than Dave
and three years older than Jim.
"Gabby Saunders told me at school that her cousin saw it. It didn't look
like a man-goat. She said that her cousin told her just what it looked
like, and that wasn't it at all."
Sue looked over at her husband, and he rolled his eyes comically at the
tale the children were telling each other. She covered her mouth to stifle
a laugh.
"Then what does it look like?" Dave asked, indignant that his version
hadn't been readily accepted by his little sister.
"Gabby said that it looked just like a deer, but it had big old fangs."
Young Jim's eyes followed the conversation, moving between his siblings as
they spoke.
"So, what … you think it's a vampire deer?" Dave asked.
"Who said anything about vampires? I just said it had fangs; that doesn't
make it a vampire."
Jim finally ate the spaghetti off of his fork. He hadn't expected the
conversation to turn to vampires, and it both frightened and delighted him.
"Baloney," Dave said. "Gabby didn't see nothing. She's a liar, and
everybody knows it."
"I never said she saw it herself. I told you, her cousin saw it."
Dave shook his head, negating anything Gabby Saunders, or her cousin,
claimed to have seen. He had it on good authority (from an eighth-grader at
the junior high) that it was a goat-headed man, and nothing was going to
convince him otherwise.
"Enough of this silly talk at the dinner table," Sue chided the kids.
"You're going to give yourselves nightmares."
"Not me, Mommy," Jim said. "I'm not scared."
Sue smiled at the boy; he'd had trouble sleeping for a week when they let
him watch Frankenstein Meets the Wolf Man on television.
"Listen to your mother," Joe said.
The children let the matter drop for the time being, though both parents
knew they weren't through with it. The kids would just wait until they were
alone, when no parents could interfere in the debate over the monster in
Miller's Woods. It had been the talk of the playground for weeks, ever
since Old Man Collins had called the police to report seeing something
strange in the woods while cutting through them one night.
Everyone knew that Old Man Collins was a booze-hound, and if Joe had been
the one to respond to the call that night, he probably would've cuffed the
man and made him dry out in the drunk tank. As it was, the new kid on the
force, Lawson (who looked like he should be enjoying a summer break from
high school instead of enforcing the law in Cedar Falls) had driven over to
hear the old lush's story. Lawson had gone into the woods and spent more
than an hour searching for whatever it was that Collins had seen. Lawson
went red with embarrassment the next day at the station when everyone
ribbed him about stumbling through the woods in the dead of night looking
for spooks and goblins. (They were careful not to tease him too strongly
while the Cap was around, though.)
"If he calls again with this crap," Captain Stivic had said, "tell him to
go home and sleep it off. Damn skunk-drunk old coot."
But when the next report came, it wasn't from Old Man Collins. A girl from
the high school named Kelly DuBois came to the station with her mother to
tell about something she'd seen in the woods the previous night. When asked
what she was doing strolling through Miller's Woods on a fine summer
evening (the girl seemingly surprised by the question, as if she hadn't
imagined anyone would be curious), she'd admitted to having gone into the
woods to meet with the Franklin boy. It didn't take much imagination to see
they hadn't planned a friendly match of Parcheesi in the woods. The girl
burst into tears when her mother promised to tell Mr. DuBois about Randy
Franklin once they got back home.
Although they still thought it was pure foolishness, a second report (and
this one not from a known drunk) meant that someone had to check the woods
again. The Cap ordered Joe to see to it, instructing him to take Lawson
along for the ride. The kid was fairly beaming as he and Joe searched the
woods that afternoon. After all the teasing, the Cap himself had sent them
back to the woods. They found nothing that day except a few empty beer
bottles and a discarded rubber.
Since then, there'd been three more sightings in and around those woods.
The third in that series was reported by none other than Officer Carl
Barlow, currently in his eighth year as a member of the CFPD. Barlow had
been tasked with staking out the woods for a night.
"Probably some teenagers up to no good," Captain Stivic surmised. "Getting
up to shenanigans. But another thought I had is that it might be some of
them hippie-dippies going in there late at night to trip on el-ess-dee. If
it's the former, read 'em the riot act and take down their names so I can
call their parents to let them know what their little miracles are up to.
If it's the latter, give 'em a crack over the head with your billy club and
bring 'em on in."
So instructed, Barlow found a spot on a back road that bordered the eastern
edge of Miller's Woods. His plan, as he later explained to Joe over a cup
of coffee, had been to sit parked on that back road for a half-hour ,
reading a paperback by the dome light, and then to take a break from the
latest potboiler to drive around the perimeter of the woods with his
spotlight lighting up the trees. He would repeat this process through the
night until he either saw something (maybe one of those hippie-dippies
heading into the woods) or his shift ended. He didn't like the assignment
one bit and didn't really expect to see anything at all.
It was on the second trip around the woods that Barlow hit the brakes and
came to a jolting halt. He'd seen something among the trees, something he
struggled to describe in both his official report and his later
conversation with Joe. His first instinct was to call for backup; however,
recalling the crap Lawson had to take just for checking out the woods on
the old drunk's word, he thought better of this. He pulled his cruiser off
the road and went into the woods on foot, cautious. He admitted to Joe that
he'd gone in with his service-issue revolver out, the hammer pulled back.
(In the official report, he'd merely had his hand resting on the revolver,
the weapon itself still snug in its holster.)
"And that's when you found the tracks?" Joe asked, finishing his coffee.
"Yep. Strange, too. Never seen anything like them. Didn't never find the
thing I saw when I was driving past, though, the thing that made me stop in
the first place."
To this, Joe merely nodded, keeping his thoughts on the matter to himself.
The stories had spread like wildfire, being told and retold until they
little resembled what they had been upon the first telling. If even half
the people who claimed to have seen something strange out there were
telling the truth, then one would have to guess that Miller's Woods was the
busiest little patch of woods in the state, maybe even in the country. It
had gotten to the point that even Joe's own children were helping to spread
tall tales of goat men and deer with fangs. The only thing he could do
about it was shake his head and wonder when people were going to come
around to the idea that it was spacemen from Mars that were out in the
woods. Probably not very long, he figured.
That night—the night of the spaghetti dinner—Joe Frampton lay awake long
after midnight, thinking of the wreck on the highway, and of those feet,
one shod and one bare. The question kept pecking at him: what would he do
if one day there was a knock at the door and someone in a seaweed-green
uniform (Barlow perhaps, or—god forbid—Lawson) was standing on the front
porch, hat in hand, a sorry look on their face, telling him about an
accident on the highway?
He pushed the thought out of his mind with some effort, and he fell asleep
to the sound of Sue's deep, even breathing.
***
The day of Pamela Wellesley's funeral was cloudy and reasonably cool for
summer. The woman was put into the ground near the southeast corner of
North Hill Cemetery. Though neither Joe nor Sue had really known the woman,
Captain Stivic—having received his own invitation on account of his
friendship with the man—had told Joe that the grieving widower had
requested that he attend the funeral as well. Joe could only guess that the
man wanted him there simply because he'd been there at the scene of the
accident. Joe half-expected to see the county deputy at the funeral too,
but he hadn't noticed the man at either the church service or the cemetery.
"Will I get paid for the day?" Joe had asked the Cap.
"Of course not."
The minister was saying some nice words that were supposed to make it
easier for the bereaved, helping them accept the inevitability of death and
take comfort in the thought that the deceased was sitting on a cloud
somewhere listening to the angels strum their heavenly harps.
Jack Wellesley stood listening to these nice words, his eyes raw, red and
sunken. One of his big hands was closed over the smaller one of his
daughter, a girl who looked to be about Alice's age. The girl was pretty,
with dark hair like her father's, though hers was thick and full where
Jack's was thinning. She had pale blue eyes that now held a sadness that
broke Joe's heart to see. There was a void around father and daughter, a
gap between them and the other graveside mourners closest to them. It was
like people were afraid to get too close, lest whatever bad luck that had
touched them spread like a cold.
After the coffin was lowered into the ground, some of those gathered around
threw handfuls of dirt down onto the closed lid of the coffin. Jack
Wellesley and the girl were the first. Jack tossed his handful but his
daughter hesitated, pausing with her closed fist hanging in the air above
the maw of the grave. He bent down and whispered something in her ear, and
the girl finally opened her hand, letting the dirt fall.
Joe was unsure if he was supposed to grab up a handful of dug-up earth
himself from the mound of it near the grave, but it appeared that only
family and close friends were expected to. He was glad; there might be some
beautiful symbolism at play but, as far as he was concerned, throwing dirt
onto a coffin was bad juju. He knew that it would be covered entirely with
dirt anyway, but it still felt wrong.
When the proceedings came to an end, father and daughter took up a position
near the gates, thanking those who'd come to the burial, as they left the
garden of the dead to return to the streets of the living. Captain Stivic
stood near them, passing a word or two with Jack between well-wishes. Joe
meant only to give a brief word of condolence and then to slip away, but
the Cap clapped him on the arm and made the introductions.
"This is Officer Frampton, Jack. He was the man on the scene when …"
Stivic didn't finish, but Jack Wellesley nodded anyway, sticking out a
hand. The man was at least a head taller than Joe, who was a big man
himself. Joe took the man's hand and they exchanged a brisk shake.
"It's good to see you, Officer Frampton. May I call you Joe?"
"Of course you can."
"Good, good; and you can call me Jack. I wasn't sure if you'd be able to
make it."
"This here is my wife, Sue," Joe said.
"It's good meeting you, ma'am. This here is Emily."
The girl looked up at Joe and Sue with watery eyes. Sue knelt down, not
concerned about dirtying the hem of her dress.
"You look very lovely, Emily," Sue said.
"Thank you," the girl said quietly.
Sue gave the girl a brief hug and stood up again, smoothing down her dress.
Jack Wellesley gave the woman a grateful nod.
Captain Stivic addressed the young girl:
"You might know Joe's little girl from school. Alice Frampton?"
Emily nodded.
"She's a year ahead of me. She's nice."
"Yeah; Alice is a good girl," Joe said.
"Maybe we can arrange a playdate sometime," Sue suggested.
"That sounds great," Jack said, settling one arm across his daughter's
shoulders.
They parted ways then, Joe and Sue leaving through the gate and walking to
their car (not the Bel Air, of course, which belonged to the town of Cedar
Falls; their own car was a Chrysler Newport in two-tone blue and white).
They got in, and after one last look at the cemetery, Joe started her up
and swung the big hunk of rolling steel out of the parking lot, pointing
her in the direction of home.
***
The weeks passed.
There was a truck turnover on Highway 53; nobody was badly hurt, but a full
truckload of beer bottles was splashed over the highway, dark glass
glittering under the sun and amber liquid foaming on the hot macadam.
There was a scare at the public swimming pool when a young boy hit his head
on the deck while attempting a dive. The lifeguard (coincidentally, the
lifeguard was Kelly DuBois, she of the nighttime tryst in the woods) pulled
the boy out of the pool, the water already stained with inky waves of red
near the spot where the boy had gone in. There'd been a lot of blood, which
elicited a good deal of screaming from the kid's frightened mother, but a
trip to Juniper County General and some stitches set the boy right again.
Of course, he wouldn't be able to swim for some time on account of the
stitches; his whole summer might just be shot in that regard.
There was an armed robbery at the Northern Illinois Bank & Trust branch
in Fryeville, putting the CFPD on high alert in case the guys headed their
way and tried robbing one of their own town's fine financial institutions.
The crooks—two guys in bright-orange balaclavas—had been gone before the
first police cars roared onto the scene. The men would be apprehended four
months later, in Wisconsin, after shooting dead the attendant at a gas
station before looting the register of the eighteen dollars in the till.
They still had those balaclavas in their possession when they were
arrested.
Someone called the police to report a dead body lying in the road at the
corner of Gardenia and Low Street. The dead man turned out to be none
other than Old Man Collins, not dead but dead drunk. He spent the night in
the tank, earning himself a ticket for public drunkenness. The ticket was
to be paid within thirty days, or else he would spend thirty days in jail.
The old-timer grumbled about "gubment rob'ry", but paid the ticket with two
days to spare. Some wondered where he'd gotten the money, but thought it
better not to ask.
And there were sightings of strange creatures in or near the woods. Maybe
it was a tiger escaped from the zoo (though there was no zoo within a
two-hour drive of Cedar Falls), or a wendigo, or a revenant come back to
haunt the woods for some inexplicable reason. Or maybe it was a pig man (a
variation of Dave's goat man story), or an invader from Neptune (not Mars,
as Joe had predicted to himself).
"Damn kids messing around in those woods, scaring people half to death,"
Deakins said one day in the breakroom.
Carl Barlow, Deakins's fellow officer, agreed wholeheartedly. Barlow seemed
to have forgotten all about his own sighting, and those strange tracks in
the woods.
Joe, for one, was sick of the talk about Miller's Woods, and while he held
no sway over what the boys at the PD talked about (or the folks at Hal's
Barbershop, or the Fourth Street Diner, or any of the other fine places in
town where people chewed over rumors and innuendo of all sorts), his
children were forbidden to discuss this nonsense at the dinner table. He
knew this wouldn't stop them from talking it over elsewhere when they were
out of his hearing, but that was just fine with him, so long as he got to
eat his meatloaf or baked chicken and potatoes in peace. If Sue had any
desire to speak on the matter, she did so with others, never raising the
subject with her husband.
When he thought about it, Joe figured the Cap had the right of it. It was
just some kids having fun, and a whole lot of damn fools in town were
letting themselves be taken for a ride. Summer would end and a new
schoolyear would begin; the kids would forget all about their games, with
more important matters (which girls put out, which boys had Russian hands
and Roman fingers, whose big brother was willing to buy beer for a party)
taking precedence, making them forget all about going out to Miller's Woods
to spook people in the middle of the night.
But he had to reevaluate this conclusion when Petey Wheatley was taken to
the hospital with a broken ulna, a banged-up noggin, and an assortment of
scrapes and bruises. If it was a game, it was one that had gone too far.
***
"What did I do to deserve this, Cap?" Joe asked. "You know how sick and
tired I am of this woods business. Send Deke to talk to the kid."
"Deakins couldn't tell the difference between his ass and a hole in the
ground, and you know it, Joe."
Joe looked at the open door of the Cap's office, wondering if Deakins was
in the station, and if he'd heard what Stivic really thought of him. And if
he had, what then? There wasn't much Deakins could do about it, Captain
Stivic being Captain Stivic. Still, it was best not to ruffle
feathers, and so Joe didn't mention Deakins again. He accepted the duty
he'd been assigned, taking Barlow along because that's the way the Cap
wanted it.
It was late and Joe was tired, so he let Barlow do the driving. Thirty
minutes later they were walking through the front entrance of Juniper
County General Hospital. The thin-lipped receptionist, who looked old
enough to remember the Neolithic Era, directed them to Room 146. Joe
thanked her. The halls of the hospital were clean, white and quiet. They
passed an old man in a pale blue gown walking down the hall; a nurse in a
crisp white uniform was helping the man along.
Petey Wheatley was fifteen years old but could've passed for twelve. He was
sitting up in bed when Joe and Barlow entered the room, with his arm in a
cast and a bandage wrapped around his head. His parents were in the room.
Petey's mother sat in a chair pulled right up to the bed, busily stroking
her son's hair, her face full of hurt and confusion ( How could anyone ever even dream of hurting my little baby?, that
look said). The boy's bother paced around the room, and the look on his
face was anger.
"Afternooon, Mister and Missus Wheatley," Joe greeted them. "Afternoon,
Peter."
"Petey, Officer," the woman spoke up. "He likes to be called Petey."
"All right then; Petey it is."
"What are you going to do about this?" Mr. Wheatley asked. "My boy's lying
up here in a hospital bed with a concussion, he's gonna have to stay
overnight for … whad'ya call it, Norma?"
"Observation."
"That's it, for observation. People have been talkin' about those damn
woods for over a month now, and what have you done about it? Jack squat,
that's what."
"Calm down, Harry. Getting upset isn't good for your blood pressure."
But Harry Wheatley had no intention of settling down, blood pressure be
damned.
"Something in those woods did this to my boy, and you better … you
better just do somethin', all right?"
Joe noted the man had said something in those woods and not someone in those woods.
Joe looked over at Barlow and could tell that he was irritated. Barlow
wasn't the most patient of men, and standing around while some
pencil-necked kid's father read them the riot act didn't sit well with him.
"I understand that this must be very frustrating for you," Joe told the
boy's parents. "I promise we'll get to the bottom of this and get justice
for your boy."
This seemed to mollify Harry Wheatley; his wife just went on fussing over
Petey.
"Now, let's start at the start of the thing," Joe said.
He dragged over a free chair and took a seat. Barlow, without needing to be
told, took out a pad of paper and a pencil, ready to jot down any salient
details.
"My name is Office Frampton, Petey, but you can call me Joe."
Petey looked Joe in the eyes but didn't say anything. The boy's own eyes
were slightly glassy, whether with pain, or with whatever dope the doctors
had given him to dull that pain, Joe was unsure.
"I'd like you to tell me everything that happened tonight."
And so the boy talked, telling about a shortcut through Miller's Woods ("I
warned you to stay outta those woods," Mr. Wheatley interrupted, earning a
reproachful glare from his wife), and how he'd gotten twisted around in the
woods, how he was trying to find his way out of them.
"And then I sorta heard this whistling sound," Petey said. "But there was
another sound, too. Almost like … a growl."
Norma Wheatley covered her face with one hand, as if the thing that had
made those sounds was right there in the room with her and she couldn't
bear to look at it. Joe could hear the scratch of pencil on paper behind
him and knew that Barlow was keeping up.
"And then there was a rustling in the bushes," Petey continued. "It was
dark, but I could see something moving through the trees, something that
was awfully big."
The boy paused, his young face troubled.
"What happened then?" Joe asked.
"Well, something came out of the bushes and picked me up just like I
weighed nothing at all. Threw me hard into a tree; I hit the tree and fell
to the ground. I didn't even know how bad I was hurt. I just got to my feet
as fast as I could and ran until I found the road. Then I walked all the
way home, and my mama just about fainted when I walked in the door with my
arm looking funny."
As if the memory was too much to handle, Mrs. Wheatley started blubbering
then, but she quickly got herself back under control, reaching into the
depths of her purse to find a tissue to wipe her eyes with.
"This … thing that picked you up and tossed you … what
did it look like, Petey?"
The boy shook his head.
"It was very dark, sir. But I know that it was big, bigger than any
man I ever saw."
Joe tried prodding more details out of the boy, but he'd gotten all he was
going to get. Joe and Barlow took their leave, promising Petey and his
folks that they would get to the bottom of this. Mr. Wheatley was still
pacing the room when they left.
They drove back to the station, neither of them saying much. Joe wrote up
the report, using Barlow's notes as a reference, before clocking out for
the night. When he got home Sue was asleep and his dinner was waiting for
him in the fridge.
***
The day after the interview with the Wheatley boy was a Saturday, and Joe
had the day off. He slept in late, not getting out of bed until after ten,
and then only because his bladder demanded relief. After granting it, Joe
went into the kitchen to fix himself breakfast. He made what he (and he
alone) considered his specialty, a concoction of chopped and fried potatoes
with crispy bacon, the bacon sizzling in its own grease as he fried it up,
filling the kitchen with its good smell. He topped it all with a generous
helping of cheese that he shredded himself. The heat of the potatoes and
bacon melted the cheese into delicious gooiness. Joe sat at the table and
ate his breakfast to the sound of cartoons coming from the living room,
alternating between bites of food and sips from a tall glass of orange
juice.
He was still eating when Sue came into the kitchen. She stood in the
entrance to the kitchen for a moment watching him eat, and then moved to
the sink. There were no dishes in the sink, so she took a few clean ones
from the dishrack, gave them a rinsing, and stacked them in the rack again.
Joe knew his wife well enough to see that something was bugging her, and
that she wanted to tell him about it but was having trouble finding the
right way to start.
Several possibilities flitted through Joe's head: Dave was in Dutch again
for getting into fights at the playground; Sue had dinged the car while she
was out yesterday, and it would need to be taken to the shop; Jim, their
youngest, was wetting the bed again after a year free from his little
accidents.
"What is it?" he asked.
"Did you say something, Joe?"
He ate the last of the cheesy potatoes and bacon and pushed the plate away
from him.
"There's something on your mind, and we both know it. So instead of washing
dishes that don't need washing, why don't you just come out with it?"
She thought it over, looked at the entranceway and the sound of Bugs Bunny
getting up to his usual shenanigans, and made a decision.
"In the bedroom," she said. "Where we can talk without anyone overhearing."
Joe's breakfast gurgled unpleasantly in his stomach; he had an idea that
his nice, quiet morning was about to be ruined. Sue left the kitchen and
turned down the hallway that led to the bedrooms, trusting that he would
follow after her. Joe looked at his plate and glass, thinking about washing
them before joining his wife in their bedroom. He knew that the dishes
could wait, and that washing them would just be a lame attempt at delaying
things for another minute. Joe left the things on the table and followed
Sue to the master bedroom.
She was waiting near the window, her arms folded, the clean light shining
in from outside bright on her face. Joe closed the door behind him when he
came inside the room, and he sat on the bed. Sue went on looking out the
window for another moment or two, then turned to Joe.
"So, is this it?" Joe said with jocularity. "You're leaving me?"
"That's not funny, Joey."
She was the only one who could call him Joey without it bothering
him.
"All right, then. What is it?"
"You know that Alice has had a few playdates with the little Wellesley
girl."
It wasn't a question, but Joe nodded anyway.
"The two of them really do get along famously," she said. "It's just that
…"
She left him hanging.
"Just what, Sue?"
"Well … yesterday, Alice told me something that Ellen Wellesley had
told her. About Mister Wellesley."
Joe waited for her to continue.
"Joe, how much do you know about Jack Wellesley?"
"Not much. He's old pals with Stivic, and he's tight with some of the
people at City Hall. From what I gather, he may be the wealthiest man in
town. I don't know much beyond that. What, did his girl rat him out for
smoking dope like the teenagers or something?"
He laughed at this, but Sue did not.
"I think he's done awful things to that girl," she said.
She told him the story (as related to her by their daughter). Joe asked her
to tell it again, and to take care to tell it precisely as Alice had. His
earlier premonition had proven to be true: his morning was thoroughly
ruined. When Sue finished the story again, Joe expressed a desire to
question Alice himself.
"You can't," Sue said. "For one thing, she would never forgive me for
telling you; I swore that I wouldn't tell a soul. And for another, I don't
think she would ever be able to talk about these things with you. She's so
young, Joe; she had a hard enough time telling me."
Joe got up off the bed and paced around the bedroom in a way that would
have reminded Sue of Petey Wheatley's father if she'd seen him tromping
around the hospital room.
"What am I supposed to do with this information, Sue? Just what in the hell
do you expect me to do?"
"I was thinking that you could make a report to Family Services. They'll
give your word more weight than mine, with you being a cop and all."
"Even with the badge, I don't know how seriously they'll take a story that
begins with, 'My wife told me that our daughter told her that another girl
told my daughter…' "
She threw up her hands in frustration.
"Well, somebody has to do something! Can't you just arrest him?"
"I would need probable cause to arrest him. Everything you've told me is
not only hearsay, but it's hearsay of hearsay. There's no way I could get
an arrest warrant signed by a judge with just this."
Sue walked back to the window and folded her arms again so that she looked
exactly like she did when Joe walked into the room.
"Maybe you could talk to Mister Wellesley," she said. "You tell him that
you know what's going on and that he'd better stop."
Joe shook his head.
"If this is true—"
She turned on him sharply.
"If it's true?"
He held up his hands in a gesture that said just let me finish.
"If it's true, then letting him know his daughter spilled the beans on him
could just make things worse for her. He's bound to be unhappy knowing that
she's telling people about it."
"Then what, Joe? Do we do nothing at all?"
No, they couldn't do nothing at all. But also, he didn't know what they could do. But an idea came to him; it wasn't one that he liked very
much, but it was the best he had.
"Stivic," he said. "I'll talk to the Cap."
***
Barlow was at the station when Joe walked through the doors. The man was
leaning back in his chair so that the front legs hung suspended in the air,
and his own legs were up on the desk. He had a transistor radio in his
right hand, and he was listening to a White Sox game.
"Hey, Frampton," Barlow called out. "I thought you had the day off today."
"I do."
"Then what's your sorry butt doing here? You should be home catching the
game on the TV."
Joe, who found baseball to be the height of boredom, and wouldn't have
watched the game at home even if hadn't come into the station, headed for
Captain Stivic's office.
"I have something I need to talk to the Cap about," he said.
"Asking for a raise, are ya? Well, good luck!"
Barlow's laughter followed Joe into the office; he'd entered without
knocking, which was a violation of an unwritten rule. Stivic was on the
phone, and he held a finger up to Joe when he looked and saw it was him
who'd come in.
"Right … right," he spoke into the phone. "I'll look into it, and
I'll let you know."
Stivic finished the call and hung up the receiver.
"What are you doing here?" the Captain asked. "Don't you have—"
"The day off," Joe finished. "Yes, but there's something that I didn't
think could wait."
"All right, then; take a seat."
Joe sat across the desk from his captain. Stivic sat back in his chair,
waiting for him to start talking, but Joe hesitated for just a moment. He
seemed to realize, really realize for the first time, just what he'd
come to the station to do. Joe had come to the station, and into the
Captain's office, to accuse one of the Cap's personal friends of being a
kiddie fiddler, the kiddie in question being the man's own daughter. And
this after the man had had to bury his wife.
But he'd promised Sue that he would do something.
"I need to talk to you about Jack Wellesley, Cap."
Stivic's eyebrows went up in surprise.
Joe talked for a while, and when he was done talking he waited for Captain
Stivic to say something. After a period of contemplative silence that
probably lasted for no more than twenty seconds (but which felt more like
three minutes), the Cap did say something. In fact, he said several
somethings, and though his voice never rose above a conversational volume,
there was unmistakable venom in it.
When Joe came out of the Captain's office (Stivic rebuking him to knock
next time), Barlow started to ask how his request for a raise had gone, but
the dark look on Joe's face made Barlow shut his yap. He went back to
listening to the game. The Sox were losing, but there was always the hope
of a late-inning comeback.
Joe left the station and got back into his car. He sat for a few minutes,
thinking, and then slammed the dashboard once with his fist. He looked at
his hand; the knuckles were starting to flush red. Joe started the car and
headed back home, where Sue would surely be awaiting his report. He hated
that he had nothing good to tell her.
***
It had been a week since Joe's unproductive talk with Captain Stivic, and
in that week there'd been two more reports concerning the goings-on in
Miller's Woods. The first had come from Mr. Garner, an insurance man with
an office on Main Street. He claimed to have swerved off the road to avoid
hitting something big and hairy, with dark eyes and a mouth filled with too
many teeth. The creature ran into the woods after the near-miss. Those who
knew Mrs. Garner put forth the theory that her husband driving into the
ditch was the result of falling asleep at the wheel, and that he was using
the story of the shaggy beast in the road in an attempt to keep the missus
from boiling him in a vat of oil. He'd fallen asleep once before and the
result—a ding in the fender—had resulted in Mrs. Garner chasing her
husband down Stewart Street with a nine iron.
The second report came from the wife of a member of the Town Council (the
Town Council holding the Police Department's purse strings and all), and
Stivic had taken this report more seriously than Mr. Garner's. The plan was
to have two officers prowl the woods every night until the source of all
this madness was discovered.
Barlow and Adams were sent out the first night (Barlow hadn't accepted the
duty with grace), and Lawson went out on the second night with Faraday.
Now, on night three, it was Joe's turn to spend some time in the woods, and
he was accompanied by Deakins. The two officers decided to split off and
follow different paths; they would walk rough circuits through the woods,
keeping an eye out for goat men, pig men, or any other strange nocturnal
creatures.
"Do me a favor, will you?" Deakins said when they began their watch. "If we
bump into each other in there, don't shoot my pecker off thinking that I'm
Dracula or the Wolf Man."
Joe promised, but Deakins had notably not responded with a promise of the
same.
Joe found himself on a clear path that meandered near the northern edge of
the woods. He had a heavy-duty flashlight in his hand, and used it to shine
light into the deeper shadows under the trees. The song of crickets buzzed
in his ears as he walked along, his eyes searching for any movement in the
woods. Summer was nearing its end, but the night was warm. A fat wedge of
moon hung in the velvet sky, and the stars were cold pinpricks of light.
Joe wanted to be home, lying in bed next to his wife, asleep. He might have
chalked this assignment up to pettiness on Captain Stivic's part after
their conversation about Jack Wellesley, but the thought held no water
since no one seemed to be safe from woods duty. Hell, the Cap was over the
moon about Lawson (hadn't Stivic developed a habit lately of bringing up
his daughter—who just happened to be the same age as Lawson—in
conversations the young cop was a part of?), and Lawson had been sent out
even before Joe.
A noise up ahead. Joe pointed his flashlight up the path, its yellow beam
spearing through the dark. His hand went instinctively to the butt of his
service revolver, but he kept the weapon holstered, with the strap secured.
The last thing he needed was to accidentally shoot some teenager out in the
woods for a rendezvous (maybe Randy Franklin back for another round with
Kelly DuBois), or to inadvertently break his oath that he wouldn't shoot
Deakins's pecker off.
Joe walked ahead cautiously, nearing a bend in the path, the dirt track
disappearing behind a thick growth of shrubs. As he neared the blind turn,
Joe's heart leaped in his chest (and his hand, with a mind of its own,
tried to draw the revolver, forgetting that the strap was still on it) as
he came face-to-face with another person.
"Christ!" Joe blurted.
The other man flinched, having been just as spooked by the unexpected
meeting. Joe shined the light on the man (his hand had left the butt of his
weapon, and now hung at his side), and the man raised a hand to shield his
eyes from the harsh light.
"That's awfully bright," the man said.
It was Jack Wellesley, and meeting him there in the woods so soon after his
talk with the Cap made Joe nervous. Joe lowered the light so that it was no
longer shining directly into Wellesley's eyes, and Wellesley lowered his
shielding hand in kind.
"What are you doing out here in these woods?" Joe asked. "Especially at
this time of night."
"Good seeing you again, Officer Frampton," Wellesley said. "I might ask you
the same question."
Joe quickly analyzed the man's words, their tone and inflection. Did he
know about the meeting with Stivic? Would the Cap breach professional
ethics in such a way, even for a friend? Joe's analysis came back with a
finding of UNDETERMINED.
"Captain Stivic has us out here monitoring the woods at night in hopes of
catching whoever is perpetuating this 'creature in the woods' nonsense,"
Joe said.
Wellesley chuckled lightly.
"You aren't afraid that it might really be some monster from beyond that is
out for blood?"
Joe shook his head.
"I stopped believing in ghouls and goblins a long time ago, Jack. So, how
about you?"
"Do I believe in monsters, you mean?"
"No; I mean, what are you doing out here?"
"Oh, right; my house borders the woods over yonder."
Wellesley gestured vaguely back in the direction he'd come from.
"Some nights I get restless," the man continued. "So I take walks in the
woods. It helps to settle my mind down."
Joe raised the flashlight so he could see the path behind Wellesley; the
path was empty.
"Have you ever seen anyone in the woods during your walks, someone who
doesn't belong out here?"
"You mean other than you?"
Joe nodded his head exasperatedly.
"Yes; I mean other than me."
"Every now and then I might come across some teenagers. They like to come
to these woods to drink and smoke, and sometimes … for other things.
When they see me, they usually scatter like cockroaches. Probably afraid
I'll call their folks and tell them what Junior and the little princess are
up to."
There was a noise off in the brush; Joe swung the light that way but saw
nothing.
"Tell me something Officer Frampton … are you out here alone?"
Joe swung the light back in Wellesley's direction, taking care not to shine
it directly into his face.
"No; Deke is somewhere in the woods, too. That's Officer Deakins."
"Yes, I know him passingly. Seems like a good man. The kind of fella who
would never go sticking his nose where it doesn't belong, into other
peoples' personal business and such."
The two men stared at each other in the stillness of the woods. Joe was
very aware that Wellesley was bigger than him, and he had to look up
slightly to meet the man's eyes. A mirthless grin spread on Mr. Wellesley's
lips.
"Well, have a safe night, Officer. I hope you find your monster."
Wellesley didn't wait for Joe to say anything in return, brushing past him
and continuing down the woods trail. Joe turned and watched him go. He was
sure now that Stivic had betrayed him to Wellesley, and this caused a flame
of anger to kindle within him. After Jack Wellesley turned and disappeared
around another bend in the path, Joe Frampton pressed the round button on
the side of the flashlight, extinguishing it. He stood in the dark of the
woods, listening to the nightsound around him.
***
After the encounter in the woods, the flame inside of Joe refused to gutter
or die out. There was no angry scene where he barged into Stivic's office
again, telling him that he knew the Cap had ratted him out to Wellesley,
and he didn't resign from the police force in a fit of ire. But still, that
flame burned. Sue didn't ask him what he was doing about the situation with
Wellesley and the girl; he had promised to do something, and she believed
that he would. Still, there was an anxiousness about her that hadn't been
there before.
At dinner one night, Alice asked if her mother could arrange another
playdate with Ellen Wellesley, and Sue ignored the request, getting little
Jimmy started on his favorite subject of late: the upcoming school year.
Alice looked at her mother questioningly for a moment before turning her
attention back to her sloppy joe.
Joe puzzled over a way to proceed on the matter of Jack Wellesley, who just
might be a predator whose chosen prey was his own child. Captain Stivic had
made it quite clear that he thought the man incapable of such behavior and
would allow no one, even one of his own men, to sully Wellesley's sterling
reputation by throwing muck at him.
Joe had no proof that Wellesley had actually done anything wrong. He didn't
think Alice would make up such an awful story; if she said that Ellen had
told her those things, then Joe was sure the girl did indeed tell her. The
simplest thing would be to interview the girl himself. If she repeated the
story directly to an officer of the law, then there would be probable cause
for an arrest. But Stivic would never allow Joe to interview the girl
officially, and to do so off the record would not only fail to secure a
warrant, but it could lead to questions about what a grown man (cop or no
cop) was doing talking about such sensitive matters with a little girl
behind everyone's backs.
But he had to do something. He'd promised, and he meant to keep the
promise.
One afternoon, while Joe had the place to himself (Sue had taken the kids
to one of Dave's ballgames; his team hadn't won a game all season, but
there was always hope), he searched his address book for an old associate
who worked for the State Police. He dialed the number, unsure if the man
would be home at that time of day. The line rang once, twice, and started
ringing a third time when a voice came on the line:
"Simmons residence."
It was a woman's voice. Joe had only met Steve Simmons's wife once, and
didn't know if she would remember him.
"Hello; could I speak to Steve, please?"
"Who is this?"
"My name's Joe Frampton. Steve and I used to—"
But she was gone; there was the sound of the receiver being put down, a
long silence, and then Steve's gravelly voice came on the line.
"Joe, is that you?"
"Yeah, Steve. How're things going?"
The question was mostly a formality, but Steve took it as an invitation to
fill in every detail of his life for Joe's benefit. Right around the time
that Steve started detailing the plans for his daughter's upcoming sweet
sixteen party, Joe politely cut him off.
"Listen, Steve-o, I called because I was hoping that you could do a favor
for me."
"Well, sure. What can I do for you, Joe?"
He didn't seem at all put out at having his life story cut short, which was
a good thing.
"I was hoping you could look up a person for me, see if there's anything in
the state records about them."
"Yeah … yeah, I guess I could do that. Hold on, let me grab a
pencil."
The sound of the phone being put down again, another silent interlude
(shorter this time), and then Steve's voice was back.
"What's the name?"
"First name, Jack. Last name, Wellesley. Jack might be a diminutive of
John."
Steve Simmons jotted the name down on the other end of the line.
"What is this guy, a suspect in a crime down your way?"
"It's … complicated," Joe said. "This would have to be off the
record, Steve. You get me?"
There was a pause on the line. Was it hesitation on Steve's part?
"Sure, Joe; I'll see what I can do. But if whatever this is goes south on
you, then we never talked. Right?"
Joe smiled.
"Right," he said. "We never talked, Steve."
Joe told Sue about the phone call, keeping Steve's name out of the
conversation. (If things did indeed go south, then it was better if she
could truthfully say that she didn't know who he'd talked to.) It took
three days for Steve to call Joe back. Joe took the call on the phone near
the sofa in the living room, sitting at an angle so he could write notes in
the little notebook on the end table there. The pen in his hand scratched
swiftly over the paper in a circle of soft yellow light from the table
lamp. He thanked Steve for his help, promised again that nobody would know
where he'd gotten the information, and hung up the phone.
Sue, who'd been trying to pay attention to the TV (tonight they were
watching Bewitched, which was Alice's favorite show), followed Joe
when he got up from the couch and walked back to the bedroom. She closed
the door as Joe turned on the bedside lamp. She looked at him expectantly.
"It's not the first time," Joe said.
Her face fell.
"There was an investigation twelve years ago," he went on. "Wellesley was
living downstate at the time. The girl was the daughter of a business
associate. There was a Christmas party, and apparently, Wellesley slipped
into the girl's bedroom unnoticed. The girl told her mother about it a few
weeks later, and her parents reported it to the police."
"Well, what happened? Did he have to spend any time in jail?"
"No. The family stopped cooperating with the police, and said they would
refuse to let the girl testify if the case was ever brought to trial. The
authorities had no choice but to drop the case, and no charge was ever
filed."
Sue looked confused.
"But why would they do that if he hurt their little girl?"
"Some people thought maybe the parents didn't want to put their kid through
the stress of a criminal trial."
He told her there were others who held a more cynical view, finding it more
than coincidental that the company the girl's father had a majority stake
in landed a sweetheart deal with one of Wellesley's businesses the
following spring.
"So the bastard just … got away with it?"
"That's what it looks like."
Joe could see the righteous fury in his wife's eyes, and it made her even
more beautiful than she already was. Then the fury dulled and was replaced
with despair. Her eyes filled with tears.
"What the hell are we going to do about him, Joe?"
"I don't know. But I'll figure it out, Sue. I'll figure something out."
And later that night, as his wife lay asleep beside him in bed, and as Joe
stared up at the ceiling, tied but unable to sleep, he did figure something
out. In time, he would come to realize what a stupid plan it was; it was
never going to work. But at the time, to Joe's tired, angry, and confused
mind, it seemed like a pretty good one.
***
Jack Wellesley, who had in all likelihood bought his way out of a child
molestation charge once upon a time, received the call just after eight in
the morning. He didn't recognize the voice on the other end of the line—it
was clear to him that the caller was making an effort to disguise his
voice—and though the caller was worried that Wellesley would guess his
identity despite the subterfuge, this was not the case. The man claimed to
know certain secrets that Wellesley would rather remain just that, secrets. From what the man said, a few details given, Wellesley must
surely have realized that this was no bluff, and that his darkest secret
had been revealed in some way to the caller. The caller warned that, if he
didn't follow instructions, the secret would be made common knowledge to
the whole damn town.
After the stranger ended the call, Wellesley must have considered a number
of ways to respond, weighing the pros and cons of each. He might have
thought of calling his lawyer (a man like him was sure to have at least one
lawyer on retainer), or his pal who was a captain of the Cedar Falls
police. Maybe he ran a hundred other scenarios through his mind, many no
more than variations of a few main ideas.
Whether this playing-out of scenarios in Jack Wellesley's mind really
happened or not, no one will ever really know for certain. What is known is
that sometime in the afternoon he called one Mrs. Doris Oakley, an
octogenarian widower who volunteered part-time at the town library, and
asked her if she would come to watch Ellen for the evening because he had
some business to take care of. This wasn't the first time he'd asked Doris
to watch Ellen, but he usually gave her a few days' notice. Short notice
aside, Doris Oakley readily agreed (she adored the little girl, after all),
and arrived at the Wellesley home shortly after six p.m. Jack stuck around
for a while.
"He seemed kinda nervous," Doris would say later, "like he had something on
his mind that was buggin' him."
At approximately seven-fifteen, as the sky went dull and the sun headed for
its resting place below the horizon, Jack gave his daughter a peck on the
cheek and headed out. Doris assumed he would be driving, and he did leave
the house by way of the door letting out into the garage. Only she never
heard the car start up, or the garage door rolling up on its track. By
chance, she happened to look out a back window just in time to see Mr.
Wellesley enter Miller's Woods. She didn't know why he'd gone into the
woods, and though it seemed odd, it was really no business of hers.
The next part of Doris Oakley's account of the night's events, a part of
the official record, takes up some hours later. She was concerned at Jack
Wellesley's failure to return, or to at least call home to let her know he
would be late. Ellen had already been put to bed, and after some debate
with herself, she called the police, certain that Wellesley would return
just after she did so and that she would be revealed as a damn fool.
But there is another part of the story that is unofficial, and which
appeared in no reports or police statements. This unofficial version of the
story of that night picks up where the gap in Mrs. Oakley's story begins,
with Wellesley entering the woods. Though the day still wasn't quite dark,
there was less light on those woods. Jack Wellesley knew the woods well,
however, and had no trouble navigating to the place the mystery caller had
instructed him to go.
There was a clearing in the woods that some of the local kids called "the
Heavenly Acre", though it was no more than a clear patch of bare dirt near
the heart of the woods. The remains of a fallen tree had been pulled into
the clearing to serve as a bench. When Wellesley got to the clearing, he
sat on the dead tree and waited, as he'd been instructed. He kept his hands
planted firmly in the pockets of the light jacket he wore.
"Get up slowly."
The voice came from behind Wellesley, and its suddenness startled him.
"Do it, now."
He obeyed the command, getting up from the fallen tree and turning, his
hands still in his pockets. He turned to see who it was that had spoken,
but at first, he was unable to see the man's face. The man wore a big,
black jacket, and had a hat on that had been pulled down low. The hat, the
collar of the jacket, and the darkness served to hide the man's visage.
Wellesley squinted hard, and then recognized him.
"Frampton? What in Sam Hill is going on here?"
"Just stay where you are, Jack."
This was when Wellesley first noticed the gun in Joe's right hand, which he
held down at his side. In Joe's other hand was a bulky device that it took
Jack a moment to recognize as a tape recorder.
"On second thought," Joe said, "do me a favor and step back a ways."
Wellesley did as he'd been asked (that revolver was a pretty good
motivator).
"A little more," Joe said, and Wellesley moved backed a few more steps.
Joe stepped forward and set the recorder on top of the fallen tree. He
watched carefully for any sign that Wellesley might try to leap at him.
Wellesley was the bigger man, and if he got hold of Joe things might take a
bad turn.
"What are we doing out here, Frampton?"
"Here's what's going to happen. I'm going to start this here tape machine,
and then you are going to admit the things you've done to your little girl.
And to that girl from downstate, too."
Wellesley looked startled. During the call, Joe (taking care to disguise
his voice on the off chance that the man was in the habit of recording his
phone calls) had hinted at Wellesley's misdeeds with Ellen, but this
mention of that other case was new news.
"Even Stivic won't be able to protect you then," Joe said with a sense of
triumph.
"Stivic? What does he have to do with this?"
"I thought he could be counted on to do what was right, but I was wrong.
Did you reward him well for tipping you off about our little chat?"
A look of confusion came over the man's face.
"I have no idea what you're talking about. What chat?"
"Cut the crap, Jack; I know that he told you. You admitted as much the
night we bumped into each other out here in these woods, with that comment
about Deke keeping out of other peoples' business."
"I … I was just making conversation. Officer Deakins seems like a
good fella, and I was paying him a compliment. I have no idea what chat you
think Stivic told me about."
Joe searched the man's face and so no falsehood there. So okay, he might
have been wrong; maybe the Cap hadn't betrayed his confidence, and maybe he
had read too much into Wellesley's words the other night. Maybe. But that
changed little; it certainly didn't absolve the man of his sins.
"Listen, Frampton—"
"Just shut up!"
Joe raised the gun so that it was pointing right at Wellesley's chest.
"As I said: I'm going to turn the machine on, and you are going to
confess."
"To what end?"
He could see that Joe was confused by the question.
"Even if I say that I did the things you think I did," Wellesley said,
"what good would it do you to have me say so on tape? Do you think that a
so-called confession made at the point of a gun will ever stand up in
court?"
Spoken aloud, it did sound ridiculous. Of course it wouldn't stand up in
court; even the greenest judge would toss the confession without a second
thought. Joe knew it, and Wellesley could see that he knew it. A smirk
appeared on Wellesley's face.
"So, are we done here?" he asked.
"No … no, we aren't. Even if it won't ever be played in court, I'll
make sure that everyone in town hears it somehow. I'll make sure Stivic
hears it. Someone … someone will be able to do something."
But the words lacked conviction.
"I'm going to go home now," Wellesley said. "If you're willing to forget
that any of this happened, then I can forget, too. All right?"
"Stay where you are."
Joe reached down and pressed a button on the tape machine. There was a whir
as the tape inside started to spin.
"You can leave after you confess, Jack."
The two men stared at each other, the only noise that soft whir of the
machine.
"Just let it go, Frampton."
"I can't."
Wellesley could see that it was true; the cop wouldn't be able to let the
matter drop. Joe had lowered the gun, though, and that was foolish.
The story played out in Wellesley's mind: he'd gone for a walk in the
woods, which wasn't unusual for him. He'd brought his little .22 revolver
with him. Why? Well, there were all those reports of a mysterious creature
stalking the woods. Probably nothing, of course, but it was enough to make
anyone nervous. He was surprised by someone in the woods, and he hadn't
been able to see the man's face. What he had seen was the gun, and he'd
reacted on instinct. And the tape recorder? That could be gotten rid of
easily; no one ever needed to know about it.
Wellesley's right hand pulled free of the jacket pocket, bringing the .22
out with it. He moved quickly, but Joe even more so. Before Wellesley could
level his weapon at Joe, Joe's own gun barked once, the report a loud clap
that reverberated among the trees. Jack Wellesley collapsed like a sack of
bricks. Joe came over to him warily, stepping over the tree bench. He knelt
to get a better look at Jack. Part of his skull was missing, and gore was
spilling out of it. Joe had to fight to keep his stomach down.
Joe paced around for a few minutes, deciding on a course of action. Whoever
Stivic sent out to patrol the woods wouldn't arrive until at least nine
o'clock, which was little more than an hour away. He noticed the tape
recorder still running and shut it off. He looked down at the dead man and
made a decision.
It took time to drag Wellesley through Miller's Woods, worrying the whole
time that the woods patrol would show up early, or some kid would pick that
time to cut through the woods. Joe didn't know what he would do then, and
tried not to think about it. He'd left his car in a little turnout off a
back road bordering a stretch of the woods. (It was the same road that Carl
Barlow had parked on that night when he thought he saw something in the
woods.) Joe managed to get Wellesley there by pulling him along with his
arms circled around the man's chest.
Joe let Wellesley down to the ground while he opened the trunk and took out
a tarpaulin. He spread the tarp in the back seat of the car and loaded the
man in on top of it. He tossed Wellesley's gun on his chest and folded the
tarp over the body as best as he could. He got into the front seat and was
about to start the car when he remembered the tape machine. Joe got out
again and ran through the woods. When he got to the clearing, he kicked
some dirt over the pool of blood where Wellesley's head had lain. Then he
grabbed the recorder and rushed back to the car.
The day was truly dark by then, and he was tired, but his night wasn't over
yet. It was an hour-long drive to the Brown Den Forest Preserve, and on the
way he made one stop. He pulled into the parking space farthest away from a
big store called Landry's Emporium, a spot that the light from the tall
lamps spaced out across the parking lot didn't quite reach. Inside the
store, he asked a stock boy where he could find travel luggage, and the
young man directed him to the correct aisle. Joe picked out the largest
suitcase he could find, paying for it in cash.
"Goin' on a trip?" the man at the checkout counter asked.
"Yeah; something like that."
When he arrived at the preserve, the big parking lot on the west side of
the woods was empty. Joe parked at the edge of the lot, so that the only
thing to the left of the car was an overgrown field. He worked as quickly
as he could, pulling the body, tarp and all, out of the back seat of the
car and loading it into the suitcase. He had to bend the dead man's legs at
an unnatural angle to get them to fit. He had to kneel on top of the
suitcase so that he could zip it shut.
Joe supposed that he would've found himself in a tight spot if he were to
run into anybody on the trails in the preserve. He tried to think of a good
reason why a man might be dragging a big, heavy suitcase through those
woods in the dead of night, but he found none. As luck would have it, this
wasn't a problem. He saw no one in the woods, and went from one trail to
the next, choosing to follow those that were overgrown and looked like they
received little traffic.
Just when his muscles were threatening to give out and give up, he found a
spot that looked like no other person had been there any time in the past
decade. A thick ring of brush surrounded a greenish pond. Joe didn't even
stop to take his shoes off before stepping into the murky water, pulling
the suitcase in with him. He dragged it out as far as he was comfortable
going, the water coming up to his waistline, and pushed the suitcase toward
the center of the pond. It disappeared beneath the surface of the water.
It took him longer to get out of the woods than it had taken him to find
the pond, his wet shoes squelching all the while. Several times, he became
convinced that he was well and truly lost, but every time he would
recognize some bend in the trail, or a landmark. Eventually, he found his
way back to the parking lot, and he drove out of the lot and away from the
forest preserve.
He was halfway home before he remembered Wellesley's gun. He didn't
remember seeing it when he'd loaded the body into the luggage. Joe pulled
over into the lot of a derelict gas station and searched the backseat of
the car, and then the trunk. He found the weapon lying in a corner of the
trunk. He set it on the front passenger seat before driving off again. When
he crossed a bridge spanning a creek, he tossed the revolver out the
passenger-side window and over the railing without stopping.
The house was quiet when he got home. He walked into the dining room and
set the recorder down on the table before heading to the bathroom, where he
took off his clothes and threw them into the dirty clothes hamper, wet
pants and all. He took a quick, hot shower, washing off the sweat and dirt,
and the traces of Wellesley's blood. He crept into the bedroom (Sue was
fast asleep) to find some loose pajamas, then went back out to the dining
room.
Joe turned on the light over the table and took a seat. He pulled the tape
machine close to him, and then pushed the button to rewind the tape to its
beginning. When the tape was finished rewinding, he hit the button to start
the machine recording again. When the tape was filled up, it would stop
recording automatically, and on it would be nothing but the sound of the
silence of the dining room at night. Getting up from the table, Joe turned
the light off and walked back to the room that he shared with his wife. She
stirred as he crawled in beside her. She didn't wake, though, and that was
good; he didn't want to have to answer questions about where he'd been all
night.
It was a long time before Joe was able to get to sleep. He'd used a
payphone to make the phone call to Wellesley, and had wiped it down when
the call had ended; there was no chance the call would be traced back to
him. Still, Stivic would surely suspect him when the man was reported
missing. For Jack Wellesley to disappear so soon after Joe had brought
those allegations to the Cap was a mighty coincidence. The Cap would
suspect, but he couldn't prove anything, could he? No, Joe thought not.
Sue would suspect, too. Would she approve of what he'd done (and he would
tell her everything, if she asked), or would she be horrified?
And how would Emily fare? Would she have a happier life without the man who
had done those bad things to her, or would she still mourn the loss of her
father? Did she have other family in the area, someone who could take her
in?
Joe Frampton didn't have answers to these questions. What was done was
done, and it couldn't be undone. Having come upon this revelation, he fell
asleep. In his dreams, he was lost in the woods.
THE END
Copyright 2020, Mike Ramon
Bio: Mike Ramon is a writer living in the Midwest.
Link to more work:
https://www.smashwords.com/profile/view/mramon
E-mail: Mike Ramon
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