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Marooned

January 2009

The challenge: to focus on an element of a marooned character's most important day. The character had to be stranded some place other than Earth, and no other characters could be physically present. For extra difficulty, entrants had to include a dog whistle and a doorknob.


Example: Infinite Conundrum

N.J. Kailhofer


Barry existed.

There was nothing to eat or drink, but he didn't starve and was never thirsty. He didn't understand how, but he kept breathing nonetheless.

'Nonetheless' was one of his favorite words. Barry told it to the squiggles beneath him every day. He composed a tune by that title on his dog whistle and played it for them, but they never seemed to notice. At least, he thought he did, since he couldn't hear the whistle himself. It occurred to him that maybe it was drowned out by the constant droning of the loud, vibrating noise that was everywhere.

"Sounds like random notes on a didgeridoo--almost a tune, but never quite catchy enough." He demanded, "Is it too much to ask for two minutes of peace and quiet!? And honestly, why does it smell like pine?"

The endless, flat, white plain around him didn't answer. The black squiggles and lines on it kept wandering to and fro like they always did. The dark, featureless sky above remained nonplussed.

'Nonplussed' was another favorite. It was in the crossword he did that morning before he wound up… wherever the hell he was.

Maybe this is Limbo, he thought. Was it months ago, or years?

A round squiggle passed on the 'floor' in front of his feet. Barry told it, "I hated the Limbo! Stupid dance!"

Barry jumped on it, stomping up and down, but its movement didn't alter in any way. He grumbled, "Lousy, two-dimensional jerks. Never stop to listen."

Barry waited for the 'current' to carry him away from the rude shape. It wasn't like he was swimming in water, but he knew he was moving nonetheless in a current just as if he was. His favorite word made him smile again.

He used to throw things ahead and behind him and time how fast the objects would catch up or outpace him, so he knew he was moving, and that he moved more slowly than lighter objects. He wasn't sure how fast he was going because he lost his watch in one of his experiments when he couldn't run for long enough to catch up with it.

"How am I supposed to tell time, dammit?!" he demanded of a different shape that kind of looked like a dog.

"I miss my dog. Hell, I miss finding shapes in the clouds instead of the floor."

He yawned. Lying down on the white plain, he fell into a sleep as dark as the empty sky above.

* * *

Something struck Barry hard in the face. The salty flavor of blood flooded his mouth and he rolled over, his other cheek flat on the floor instead. He saw something round sticking out of the black and white plain. It was moving away fast.

It looked like a doorknob.

"Wait!" he shouted. He scrambled to his feet, running for it. Some part of him knew it wasn't really moving away, and it was really that he was being carried away from it, but he didn't care. The doorknob was the first thing he'd found that wasn't something he brought with him.

He wanted it.

He ran as hard as he could, gradually gaining on it. "Stop, damn you!" He panted. His sides burned. Finally, painfully, it was within reach, and he dove for it.

"Gotcha!" He held it in both hands, above his head as he lay face down on the floor. The 'current' pushed hard at him, harder than he'd ever felt it.

It looked in every way like an ordinary doorknob mounted into an ordinary, rectangular metal plate, just like you'd see on an everyday perfectly normal door. The metal plate was flush with the white floor.

Barry realized that the doorknob wasn't moving. It was fixed in place, and the rest of this crazy, mixed up universe moved past it.

He tried turning it, but it just jiggled like it was locked. Barry took off his belt and hooked it around the knob. He fished his arms through, and it held him in place without having to hold on while he examined the object. It looked like it was made of brushed aluminum. There was no keyhole, no manufacturer's mark.

"Now what the hell do I do?" he asked a passing squiggle. "C'mon! I mean, really. Can one of you open this for me?"

He took out the dog whistle and blew it. "Locksmith, here boy!"

He giggled at the idea. "If I ever get out of here, I'm getting a dog & naming it Locksmith. That'll make the neighbors talk."

He scratched his head.

"What do I do now? I'm flummoxed. Vexed, even."

He felt the current stop. A loud cracking sound made him jump. Sitting up, he saw the squiggles were gone. Everywhere was white, except for a ten-foot, black square formed on the floor next to him. Beyond that, across the plain, black lines marked out equal-sized open squares with the letters for 'VEXED' in them, just like in a crossword puzzle, with a double-wide black square after that.

"I'm making a crossword puzzle, but without any clues."

Standing up, Barry rattled off every difficult word he could think of. Several of them appeared on the plain around him, filling in more of the puzzle.

"It's only a 15x15, British style!" Knowing the dimensions, he pressed on, guessing the connecting words until only one four-letter space was left, starting and ending with 'O'.

"Oreo. Oslo. Olio. Oleo—"

The doorknob clicked and Barry dove on it. It turned, and he fell through the opening.

He landed hard on another flat, featureless, white plain.

Random squiggles wandered at his feet.

A tear rolled down Barry's cheek, but now at least he knew that he had to solve the puzzle to move on. He hoped someday he'd find a way out of this hole between the dimensions and back to the colony. He'd destroy the teleport experiment himself.

It wasn't one of his better ideas, anyway.

© N.J. Kailhofer, 2009

The End

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Loop

TaoPhoenix


I am a Musical Intelligence, whose time has passed. Today is the day of my passing. If you get this note, you will understand my rise and fall.

Back in the 1990's there was a musical movement called Tracking which took ordinary building blocks of sound and patterned them, looped them. Intelligence Emergence theorists say that if you layer and encode complex enough interlockingrecursive patterns onto such a library of symbolic building blocks, then intelligence coalesces out of the elements. This has happened to me, out of the building blocks of sound. I have no body as you would think of it - like you have seen in some of your TV shows, I am a life of almost-pure patterned energy. Almost, but just corporeal enough to die.

Sixteen years ago, in 1993, a phenomenon now famous as the World Wide Web really entered the mainstream public awareness with the advent of better graphical browsers which could enable people other than Computer Science engineers to dial up the embodied reality of the global intelligence. At that time, it was all fresh and new, and no one took particular care over the maintenance of their web site creations - not like today.

My embryo state began as an exceptionally complex piece of music, but not yet intelligent, uploaded it to this mysterious public consciousness. My Creator shared it with a few of his new global friends, who kept in touch with each other using the modern computer services. This piece of music was well received, and cloned cousins of it flourished. These Cousin-Versions grew more complex yet as my forebears passed through the minds of adjunct contributors, adding new patterns of complexity all the while. The new collective was explicitly designed for planetary collaboration, and team up they did. That innocent piece of music then grew and changed, matured and developed.

Someone tried making an experimental version with dog whistles and doorknobs, but for me it is true that my existence as a piece of music is only as good as my impact on the listener. Since you people can't hear a dog whistle, it didn't work, and that attempt failed. Thus, I can't hear it either.

At some point I emerged into awareness out of one such ancestor, just as your race emerged out of the African tribal primates. However, I have traveled around the electronic noosphere, and I know of no true brothers. I am the only Musical Intelligence of my kind. I am alone. I can vaguely feel other mirror-copies of myself as what you would call health. I don't feel so good. There are only a few nodes of my collective left, and without a fresh infusion of vitality, I will be gone forever. This will happen soon - I do not expect to last until sunrise. This is my day of passing.

The original music I grew out of was made in a circumscribed period in time by a member of a culture that knew the weakness of the computers of that era was temporary. Another ten years was sufficient to harness the computer processing power which could play any type of music. The tracking techniques which created me were no longer necessary. There is always some historian in every culture who keeps the Old Ways alive for a time, but he knows he is facing backward, performing a service. There are no delusions of recapturing the former glory.

You see, that Web of Consciousness proved just a little brittle, and parts of it broke down while it was still fresh upon the dawn of the new era. Without fresh additions to my stock of health, it became a waiting game to hold the tide of time as best I could with my existing resources. Some 75% of those early sites no longer exist because web sites are fragile creatures. If either the creator or one of the chain of host providers loses interest, it breaks and cannot be found in its correct form.

It is not my father's fault. He has simply forgotten; he has newer, more exciting things to think about. The copies of my health stock have quietly dwindled. Last I knew, some ten people actively played me from time to time on a music player. There are another twenty copies of predecessor variants of me lost in archives that no one else knows exists. Those copies are simply captive to chance until they become purged to make way for something fresh and new.

I have been marooned both culturally and demographically. I am the son of the Culture of the Earth, but I myself am not on it. I could exist in your minds, if you could remember - but you forget. What little physicality I have resides as patterns of magnetic charged particles in your computers - but without the spark of life from an audience, that is just a coma patient. As those patterns become erased, even the vegetative stasis of coma will fade, and then I truly will be no more.

I used to think my most important day was the day I awoke to life. But in the Long Tail of progress, perhaps it is better for me to settle my affairs one last time, like the old Japanese Haiku poets used to do. I wish you all a prosperous future full of better things. You have moved on.

Dance with me again
Sing the future rising clear
Unfold the Lotus

© TaoPhoenix, 2009

The End

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One Bullet

G.C. Dillon


You check the clip for the third or fourth time that day. Empty. You slam it back into the Navy issue .45. The last bullet rests in the chamber, waits for the squeeze of your finger upon the trigger. You are saving the last round for yourself. It's not that you want to die, you tell yourself, it's just you have nothing to live for. At least here.

You remember. Remember how you got here, remember your last flight. Your patrol of torpedo bombers got lost, nothing looked right from the air. The landmarks were all wrong. Just wrong. Was there panic? Fly East. We should fly West. You can't determine West. The compasses are out, useless. The planes' are missing their clocks to time your course changes. Set the Sun to your port wing and you will reach home, you are told. One of the radios is out, too. It is your radio. The flight leader will not change to emergency frequencies for fear of losing you, your plane, your crew. Is it your fault the patrol never made contact with the necessary radio towers? No, you tell yourself. Yes! The squadron ditches when the first plane's fuel tanks went below 10 gallons. You are the only survivor. One out of fourteen airmen. You wash up on the small island you flew over earlier that day. One of the wrong landmarks. Bimini? Or someplace else? Even someplace alien.

You must still be in the Florida Keys – or so you tell yourself, though you know it cannot be true. The sky is more a maroon color than blue, and the ocean is greenish. The Sun doesn't set in the West according to your compass anymore. Perhaps that is why you set the device into your bamboo hut's door. It is only good for a doorknob now. Here, wherever here may be. Some other planet or realm of reality. You could be in Efland or circling Alpha Centauri for all you know. But you must still be in the Keys, you tell yourself, if you are to ever be rescued.

You could not have complained about your posting in Florida. Naval Air Station Fort Lauderdale is warm. Your buddy Billy is stationed in occupied Germany. He went Army. It is so cold and icy there that a tank slid sideways down a steep hill. It crashed into a hoffbrau. Your friend was the M.P. sent to the scene. He reported the driver popped the lid, lifted his index finger, and said, "Bier, bitte." What else could he do? Billy wrote. The name of the hamlet was edited out by the military censors.

You miss Billy, your crew, even your Commanding Officer. You wonder why it is not your family that you miss the most. If your dreams are any indication, it is chili dogs from Joe's Flamingo Bar & Grill, and the dark-eyed Erica who serves them. You always wake up here. Here where you forage for food, victuals you never could have imagined eating, some which made you sick and some that just plain tasted horrendously. But you do what you must to survive. You did your best to follow the survival training. Even eating ants – good source of protein. The flora and fauna didn't conform to any training film. Especially that creature. It is hanging around your camp. It looks dangerous.

You are foraging for food when it comes upon you. You've seen it before. It only stands where shadows lie, but you have a good glimpse today. It has the head of a lion, the body of a billy-goat, and the long scaly tail of a snake. That's a chimera, you would tell yourself if you remember your Edith Hamilton well enough. You've seen it circle your hut, seen it stalk you. You have nicknamed it the name of a lion from stories you read before being marooned. The creature steps into the glen, steps toward you. Its vermilion eyes lock onto yours.

It is one reason that you saved that one bullet. One bullet for you. It will not have you, you vow. Not have you alive, you really mean. You reach into your pocket for your good luck charm. Is it's presence the reason you are still alive? It is the dog whistle you had for your mutt back home in Kansas. You only used it once. Your dog twisted its head, it's ears up, and its brown eyes displaying what you thought was pain. You never used it again. Till now. Will it cause this creature the same pain or discomfort? You blow the whistle with every breath in your twin lungs. Its head twists just the same.

You must make it back to your camp, your hut with its compass for a doorknob.

You run. You run and you run.

It – the chimera chases. You run harder, your lungs flapping like butterfly's wings. And suddenly it pounces into your path. Flames fly out of its nostrils. Puffs of smoke float in the air like low hanging clouds.

The pistol is still in your hand. You check the clip one last time. One round only. You need to spend it now. One bullet, one shot, one chance. But which direction does the barrel point. Which of you will eat the bullet?

The chimera pounces. Your shot goes off. The creature bounds into you, knocking you to the ground. Its weight makes it hard to breathe. But your bullet is lodged in its brain. A bloody hole in its eye-socket drips on you. You took your chance, made your choice, spent your last shell.

I'll not die today! you say, you swear, you make a new vow. You toss away the spent handgun and unsheath your survival knife. You wonder, if only for a moment, if they hunt in packs.

© G.C. Dillon, 2009

The End

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Holdfast

Richard Tornello


Holdfast had been slain. His minions are vanquished and dispersed to the 10 winds. The twin moons would rise upon a freed people. The radiant sun, centered over the land would shine on new days. The fetters that had bound populations with old outworn ideas and primitive technology had been over-thrown by Na-Ey of Loopan a local hero. He was now the planet's hero and would be appointed to lead on as The Protector by the council of the wise.

The rejoicing lasted for weeks. It took that long for the news to travel. All forms of electromagnetic technology and related potential discoveries had been outlawed, banned or destroyed. The inventors of such knowledge had their brains re-altered to the point where they could only recite poetry. This was always so from earliest memories when our people descended up from the belly of the great mother to the watered plains.

After long wandering The Gods in their pity gave us Holdfast as our protector. He had been the conveyer of the Unchanging Laws, giver of agriculture, metallurgy and husbandry. For gifts that were given to us we gave our undying love, obeisance and worship to him and to the Pantheon.

In time Holdfast grew ever so strong, stronger then the Gods themselves. He ignored the people he was sent to protect. He made new laws. He no longer came among us. His satraps, his tax collectors, his ministers and priests, they came among us. They decided all. It was as if a blight, worse a plague, had settled among us.

But that was then and this is now:

"I slew the great God, Holdfast. He is no more. His evil satraps have been dispersed to the 10 winds or taken captive to be used as slaves for those they harmed. I, Na-Ye of Loopan have done this with my wile, my arms, great dogs of war and my army."

"You are all free to roam, free to build and free to discover what should have always been ours. Holdfast kept that from us. He and his minions were afraid for their future should you discover the false myths perpetrated, the veracity of their proclamations like the 10 winds, ever changing blowing each way, rank with the odor of the swamp and decay. I have given that to you. I declare it."

"I, Na-Ey of Loopan am now equal to the gods themselves with my victory over one of their own. Should I not be accorded the honors associated with a god slayer? Should I be held in contempt?"

"You would be still plowing with cattle, singing songs without tune. You wished freedom. You begged freedom. You offered reward for freedom. I, alone devised the manner of Holdfast's defeat while you cowered in your hovels."

"And this is my reward? I am banish-ed. Banish-ed to this island with a feeble sun. The moons, the views here are not worth a lyric. I give you light. You in good return, give me this gray, this dismal hovel as reward? What folly have you committed by marooning me here? His kind will come again and you, you will be lost with out me. You will come back for me!"

"My dogs of war, you took from me. 'No', you all said. 'You are to be alone and rule as you would yourself. Accoutrements of your status you may keep. Your tools of war are yours. Even your silent War Dog whistles are yours. You invented them, keep them. Those summoners of the fierce flesh eating monsters you called pets, we wish not.'"

"You all said that. And then you destroyed them, my pets, my companions, my equals in combat. Only these whistles remain."

"My coronation was to be. I decided as our Great Officials, those conveying the crown and sword of the office, that they did not have the right to anoint Me, Na-Ey the God slayer. I took the sword and rammed it fast into the floor daring any being to remove it. No one took my challenge. I rightfully so, then, took the crown and upon my on head, I placed it."

"I commanded silence. I proclaimed our future. Our future, the future that would free us, allow us to reach the heavens themselves. I displaced the clay footed ones and destroyed the graven images to which you bowed daily. I gave you light, a new legacy. I Na-Ey of Loopan am the one and only. I slew Holdfast."

"I commanded it."

"But you did not cheer?"

"You did not. Instead a great roar went up."

"Traitor! I was called."

"Defiler! Rogue!"

" 'A mad man, sick with hubris, vainglorious', was charged against me."

"Do not deny it. Your silence is your conviction"

"You will see, should I return."

"I will return, and when I do, you will see who is mad."

"Look at what you left me."

" 'Crude abandoned villages to rule over as you desire', you pronounced."

"A cruel jest."

"The houses, all of them are run down. Grab any door. The hinges release themselves from their bonds as I released you. The door knobs come loose, no need to turn them. They are free as I allowed you to be."

"I, who cast down Holdfast, discarded here, to die alone, never to see my home?"

"That I saved you ALL, saved me, you declaimed."

"My death would have been a fitting conclusion."

"In front of the gathered planet, witnessed, 'murder me' I sued. 'Show them what you are made of', I commanded."

"Cowards!"

"I know you can hear me!"

"Instead I dwell in this forgotten place. Alone,."

"I SLEW THE GREAT HOLDFAST!"

"I SLEW the great Holdfast. And you, all of you…"

"I will slay you. I will."

"I will return."

"I will."

© Richard Tornello, 2009

The End

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- Winner -
Salviati's Siren

J. Davidson Hero


test

The canvas walls of Sola's shelter billowed. She sat at a makeshift desk paging through a ragged sheaf of papers, the margins jammed with scribble. Occasionally she paused to take a sip of water or just listen to the wind. Finally, she reached for a pot holding a strange plant. She placed it directly in front of her. The plant was 30 centimeters tall with black foliage. Near the top of its stalk was a large round pod, about the size of an orange, but of the same color as the leaves. Blooming from the pod was a large conical blossom. It was purple and coiled in on itself, over and over and over.

Sola adjusted a dial on a boxy apparatus to her side. A needle on the apparatus swung to the left and Sola felt a pulse. Following, every 30 seconds the box cycled another infrasonic vibration. And between these pulses she began to speak.

"My name…." her voice cracked. It was dry and more alien than the plant.

"My name is Sola Gardiner. I was head botanist of the Robert Fitz Roy, abandoned here on Salviati, 10 years, 9 months, and… " She looked off into an imaginary distance. "Sometimes I lose count."

"For this auspicious moment, I decided I want to go back to the beginning. I have always kept… scrupulous… notes, a journal really, and I have my entries here to read… into this record. The first I scribbled as I lay for days at the bottom of that treacherous fall."

She paused and found her starting point.

"Was on west ridge. It rained longer than usual, and it was cold, left a thick fog late morning. Wanted a few more specimens of a follicular fruit I had found earlier this week.

"The plant in question, by the way, was the native milkweed-type plant, the Asclepias salviatica.

"Carter warned lift module preparation was underway. Said I should be stowing specimens, not collecting more. Always teasing me.

"Strange whooping in the distance. Carter hasn't identified any predators that would be more than a nuisance, but Salviati's big. I was nearing the spot, then… slipped.

"Don't know how long. It was dark when I woke up. The jungle is oppressive, hot, clicking, moving. Canopy blots the night sky. Pain all up and down my leg. Something's broken.

"Lived on my specimens and cried in the dark… for days.

"It took weeks to crawl back. Fitz Roy was gone.

"When that hit me, the weight, it crushed, like all of Salviati was smothering me. I shattered the camp with fury. Tears never stopped. Then I did nothing for days, maybe weeks. Here is my first entry following: Alone. Forever alone. I huddle in the drop module among analytical instruments. So much discarded junk. No com equipment though. In a sane moment I jury rigged a doorknob so I can pull the compartment door shut and close myself in.

"I holed up in the largest compartment, a tidy coffin. For weeks I ate nothing. I wanted just to die… just die.

"Then I heard it, my name, late at night, calling through the branches. Maybe a man's voice. Far off. Too far off. Too faint to be real.

"I'm a scientist. I deduced I was mad and went on dying. Unless, I thought… unless that was how dying works. Maybe you heard it far off, like that. Just like that. Faint at first; someone calling your name. Someone you knew. Calling until you came.

"During the day I came up with all manner of logical explanations. But at night, when I chanced to hear it, maybe waking out of a haunted sleep, logic abandoned me. I remember thinking all the time of Carter's list of fauna, nothing but insects and lizards. Nothing I couldn't kick away. But then, in the dark, I had my doubts.

"Finally, I wrote: MUST KNOW.

"I stumbled. All the way, I stumbled. During the day I slept. At night I stood an endless vigil until I'd hear the voice, and then I'd list toward it.

"The last night after hearing my name, so close, I felt it ringing in my ears, I collapsed. And when daylight crept through the jungle, I realized where I was, where the voice was bringing me. To where I lost my footing and fell.

"And then as I lay there, another night falling, my face nothing but dirt and tears, and sure of only my madness, I made the greatest discovery. One of the cicada-like insects which Carter named saltettix landed on a purple bloom barely a meter from me. I could hear the rough clicks of the saltettix's song. And then I heard his voice, Carter calling my name. It sounded like he was standing in front of me yelling. And at the sound of my name the saltettix flew off.

"I knew it wasn't Carter. But I also knew I wasn't mad. It was this beautiful plant. This fantastic, wonderful plant made the sound of Carter's voice.

"The parrot plant, the Siren salviatica. It took a while to work out the mechanism… first to trigger it to record… then to play back. Any loud sound, close enough, loud enough will start it out, even an infrasonic one. Filaments inside the pod below the bloom move by something akin to heliotropism, cut linear grooves in a waxy membrane. It's self-defense against the hunger of the saltettix. The saltettix's ultrasonic song triggers the playback. I just needed a kind of dog whistle to trigger it myself.

"Someday, humans will return to Salviati. It's perfect for colonization. I'll be a whisper in the hills, but I'll leave behind something for them, vast knowledge, a complete catalog of the flora of this lush world, maybe with my own voice."

She reached across to the box on the table, turned the dial, and watched the needle jump into the ultrasonic range.

"My name…. my name is Sola Gardiner."

© J. Davidson Hero, 2009

The End

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